• Welcome to the Framer's Corner Forum, hosted by the Professional Picture Framers Association. (PPFA)
    You will have to register a free account, before you can SEARCH or access the system. If you have already registered, please LOG IN
    If you have already registered, but can't remember your password, CLICK HERE to reset it.

Timeless advice

David Lantrip MCPF GCF

Frequent Poster
 
 :
Messages
490
Loc
Houston, TX
Company
Franchise Concepts
Last week my coworker Tom Adams, CPF sent me a framing book he found at a sale. Titled The Picture Store and Frame Shop and published in 1906, it is a collection of articles and article excerpts from The Picture and Art Trade.

While it is interesting to read about some of the old framing techniques, very few of them are anything I'd use or recommend today. Tom and I were both struck though at how relevant much of the business, sales and merchandising advice is. I think that when we are all inundated with people like Viviam Kistler, Rob Markoff, Jay Goltz and Greg Perkins giving us advice we tend to tune it out or it just becomes part of the background noise. But if so many people repeat the advice and it's the same as what was written over a hundred years ago, maybe it should tell us that it's just plain good business sense that never changes.

If anyone's interested I'll post some tidbits over the next few days.

Hints to Salesmen

You cannot make trade when there is none, but you can do a good deal towards injuring trade by always taking a pessimistic view of business. Salesmen too often get in the habit of knocking business by saying it is "rotten," when everything does not go easily and smoothly. This remark passed from one to another bears fruit in discouraging others, and it is too often used as an excuse for not putting forth efforts to getting what business can be secured. It is true that the successful salesman never is downed, and always wears a hopeful smile. This habit goes a long way towards contributing to his success in life. And last of all the man who does not like his work will never make a good salesman, and he is fortunate enough if he recognizes this fact and has sense enough to seek other employment.


The Prestige of New Goods

There is such fascination about new goods that it almost pays to sacrifice some of the old so as to get them out of the way. The public is quick to get on to the fact that the dealer has something new to show them. The public is also quick in shunning the store where the same old display continues on from month to month and year to year... There ought to be a constant changing variety shown on the walls and on the easels...


Proper Matting and Framing of Pictures

When a customer brings you a picture to select a frame, don't ask him what kind of frame he wishes, or do as I have seen some art store salesmen do, present almost every sample on the sample board for his inspection. A customer in many cases, if left to make his own selection, will very often select a frame that is not at all suited to the picture to be framed. If your customer selects a flat polished oak frame to put around an oil painting, it is your duty to suggest that the proper frame for such a picture would be a gilt high back, and at the same time you should explain the whys and wherefores, and then if the customer insists on having the painting framed in oak, which he rarely does, you are justified in turning out a freak.



 
As I read that I feel like I could have written some of it in my prior Life..LOL

Please by all means post more of its content.
 
The framer who wrote this over a century ago was not backward as may be the opinion of framers that long ago.
If they had the technology to build a cmc, then they would have done so. In a hundred hundred years time, some of our techniques and materials will be outdated too.

For example, we will no longer have glass, but a thin, rigid mylar sheet, perspex matboards etc.
Frameshops may be a thing of the past and customers only choose a framing combination online.
 
David Lantrip said:
The Prestige of New Goods

There is such fascination about new goods that it almost pays to sacrifice some of the old so as to get them out of the way. The public is quick to get on to the fact that the dealer has something new to show them. The public is also quick in shunning the store where the same old display continues on from month to month and year to year... There ought to be a constant changing variety shown on the walls and on the easels...

Timeless...absolutely!


Thanks for sharing this book, David.

John
 
I'm glad everyone is enjoying these tidbits. Let me see what other nuggets I might find.


Too Hasty Judgment

The world is much better than most of us credit it with being. Honesty is the rule, not the exception. The best and most sensible and business-like way is to give a man credit for being fair and honest until he is proved to the contrary. Too many jump hot at conclusions. If they find an error of too many goods sent, or not enough of one kind and too much of another, or not exactly the goods they ordered, they jump at once to the conclusion that a deliberate effort has been made to take advantage of them, and they get mad and write unnecessarily harsh letters. In ninety-nine cases in a hundred it is only a mistake, and the firm making it more anxious and annoyed than is the firm which thinks it is being deliberately cheated. Too hasty judgment, that is all.


Keep Your Store Bright

It has been said that the successful stores owe their inviting appearance to the fact that they keep everything looking like new. They don't allow dust and dirt to accumulate and they don't leave their window display to run on for weeks without change. Neither do they keep the same old arrangement of pictures and frames in their shop month after month. They keep brightening things up, and the public likes it.


The Business End of the Art Trade

How much should the dealer know of his business? I should answer "No man can know too much. No useful information in the art business ever comes amiss."

It is a wise dealer who adapts himself to the times, swallows his pride and confesses that he is in the business not for his health, but to make money.


Marking Moulding Samples

...I mark each sample with the manufacturer's number and with cost and selling price, and instead of writing or stamping the manufacturer's name or initials, I prefix to the number of the moulding a certain figure, which indivates the firm from which the pattern was bought.

...Another advantage of the plan suggested above is that it gives no information to anyone outside. Most of the photographers have the wholesale catalogues of moulding, even if they do not make up frames, and if one sees the name and number on a piece of moulding he is apt to look it up in his catalogue. I get considerable work from photographers and I do not like them to know just how much my mouldings cost.


Uncalled For Pictures

Almost all picture dealers have tried to solve the troublesome problem of uncalled for pictures. Owing to lax rules, many dealers take orders for pictures or for frames, without requiring all or part of the pay therefor. The laxity is usually rewarded by a greater or lesser per cent. never being called for. It is astonishing how the value of an insignificant picture will fluctuate in the estimation of its owner, from the veriest trifle, provided the dealer wants its owner to take it and pay charges, to a priceless treasure, if it has been lost, or injured, while in the possession of the dealer.

If every picture house made a rule that required a deposit on all orders except those from regular customers, and persons known to be reliable, this wrong would soon right itself. I have seen dealers with large amounts tied up in frames made in odd sizes and impractical combinations because of the artistic sense (?) of the person who thought he wanted it.
 
Back
Top